• Светлана Николаева

Дэниел Аршам Инстаграм фото

ARSHAM STUDIO 3019
Material shift in these works is like alchemy. A graduation of material from pure Volcanic Ash on the bottom to Quartz Crystal on the top. The material of this work can tell us as much about it as the visual quality of the form it has taken.
ARSHAM STUDIO 3019
Good morning
ARSHAM STUDIO 3019
@how_art_museum views through October 3019
ARSHAM STUDIO 3019
This one also took a couple years to get done. 1009 years to be exact. Eroded DELOREAN 3018
ARSHAM STUDIO 3019
Sketch vs. Reality. About 10 years between them.
ARSHAM STUDIO 3019
Movies have served as a huge inspiration in my work. I was particularly drawn to objects that became almost as important as the characters in the films. This is a Kuwahara BMX bike cast in Eroded Bronze with a traditional Patina. The bike was used as a seminal prop in the 1982 American Science Fiction film E.T. produced and directed by Steven Spielberg. To create this work I located one of 300 original bikes produced after the film as collectibles. The bike was disassembled and the individual components were cast and reassembled. My bronze works have often incorporated patinas that date to the earliest uses of Metal in sculpture, and seek to further complicate and collapse the relationship of my sculptures with linear time.
ARSHAM STUDIO 3019
CD 🥶
ARSHAM STUDIO 3019
My fourth grade report card and a drawing I made during Handwriting lessons.
ARSHAM STUDIO 3019
I didn’t tell any of these people to do this. The walls did.
ARSHAM STUDIO 3019
I’m colorblind. How’s it look to you?
ARSHAM STUDIO 3019
L’HORLOGE DIOR 3019
ARSHAM STUDIO 3019
🗣
ARSHAM STUDIO 3019
I had this phone in the 80’s. Now its reformed into Pink Selenite and Quartz.
ARSHAM STUDIO 3019
Crystal Magazine for my next exhibition SELF STRUCTURE in Istanbul with @mosaicartfoundation
ARSHAM STUDIO 3019
Making some art at the Bodyshop.
ARSHAM STUDIO 3019
Vacation over. Headed back to NYC. My next exhibition opens in 1 month in ISTANBUL 🇹🇷
ARSHAM STUDIO 3019
Couple things in process...
ARSHAM STUDIO 3019
🇬🇷 The Venus de Milo was discovered by accident less than a mile from here.
ARSHAM STUDIO 3019
Still just the samples💧 @mrkimjones @_thibo
ARSHAM STUDIO 3019
Who’s been to the 🔮 cavern?
ARSHAM STUDIO 3019
@dior Silk Scarves
ARSHAM STUDIO 3019
Between 3007-3010 I made a series of paintings of Altered Sculpture from Antiquity. The concept of a collapse in time is still present in a new series of Alterations of historical sculpture I’m working on now. This work is made of Quartz and Selenite crystal, the second image is a gouache on mylar painting.
ARSHAM STUDIO 3019
Good Morning 🇬🇷
ARSHAM STUDIO 3019
This is a smaller version of the floor excavation. I added a glass surface so you can walk over the works.
ARSHAM STUDIO 3019
I always look for iconic objects to cast, things I feel resonate beyond their original intention. I wanted to do cars for a few years and decided the first two that I made would be from my favorite movies. This is a Crystalized 1961 Ferrari GT California from the Movie Ferris Bueller’s Day Off. The work is now in a collection that includes other cars by Artists such as Keith Haring, Richard Prince, Barbara Kruger and many others.
ARSHAM STUDIO 3019
Early test of the @dior letters vs. the real ones at the show ⛏
ARSHAM STUDIO 3019
The Venus of Arles was discovered in several pieces in Arles in 1651 by workmen who were digging a well. The head appeared first, at a depth of six feet, which spurred further excavations. It was given in 1681 to Louis XIV to decorate Versailles. The statue was seized from the royal collection during the Revolution and has been at the Louvre ever since its inception. The Crystalized iteration of the work was discovered in 3020 also in Paris. Further examination revealed that the work had been restored to its original condition of discovery nearly 2000 years prior. It appears that some time in the 20th century, restoration occurred on the sculpture to bring it back to its original rough surface, untouched by the changes to smooth it out during the Renaissance.
ARSHAM STUDIO 3019
NO BAD ENERGY @nas
ARSHAM STUDIO 3019
Walls 😂😂😂
ARSHAM STUDIO 3019
This was one of the first crystal Basketball pieces I made sometime around 3008. I was struggling for a while trying to find a way to display the pieces. I tried on pedestals, on shelves, on the floor, nothing felt right. I went with a friend to see the Miami Heat and watching the players warm up the solution was so obvious. I made a custom basketball rack based on the ones you see on court before a game.
ARSHAM STUDIO 3019
#freerocky Also, unless you’re Rocky or my father don’t ever call me Danny.
ARSHAM STUDIO 3019
Who had one?
ARSHAM STUDIO 3019
I’m colorblind but apparently Tori arranged my bookshelf in a rainbow?
ARSHAM STUDIO 3019
Traveling from inside a crystal cavern into the past and then into The Future.
ARSHAM STUDIO 3019
The @dior mens jewelry team told me about this idea almost a year ago. They found some 19th century pendants that unfolded like a book. Their idea was to take the Crystal Eroded Sculpture I made of Christian Dior’s book and turn it into a necklace pendant that could be taken off and worn as a bracelet. The execution by @yoon_ambush and her team, wow 👏🏼👏🏼👏🏼 @mrkimjones 💫
ARSHAM STUDIO 3019
Sketch vs. Reality. About 10 years between them.
ARSHAM STUDIO 3019
These paintings are part of a series I made 10 years ago that brought my work in conversation with Sculptural Antiquity. I have recently been granted access to an archive of molds of works from the @museelouvre that date back thousands of years. The results will be shown next year with @emmanuelperrotin in Paris 🗿⛏
ARSHAM STUDIO 3019
@dior jumpsuits with eroded Letters💧Only 25 made for the show staff ❄️ @mrkimjones 🔌
ARSHAM STUDIO 3019
I made a Limited Edition of only 20 pieces of the @nas Lost Tapes 2 Crystal Eroded Cassette. Nas and I will be donating the entire $200K proceeds from the sale to Charity. I will be giving $100K to @thecooperunion and Nas will be giving $100K to his Elementary School in Queens NY. The full album comes out This Friday! 🗯
ARSHAM STUDIO 3019
A couple thousand pounds of geological materials transformed into objects you know. A visitor remarked, “It’s like time traveling and being able see your life in a history book”
ARSHAM STUDIO 3019
@yoon_ambush interpretation of my work for @dior jewelry SS3020 @mrkimjones ❄️🗯💎
ARSHAM STUDIO 3019
“For me this work is about a collapse of time. It also brings my Future Relic work in conversation with Art History. Although the subject matter is contemporary the texture and depth of the bronze reminds me of Rodin or Brancusi. So much of my work involves the popular culture of today however my education included all periods of Art history and I have always wanted my works to communicate with time”
ARSHAM STUDIO 3019
I have unveiled a new large scale permanent public Mural in Los Angeles. 🎨 The work is located at Maya Angelou High School and was completed with the support of @brandedarts. Thank you @mosaicartfoundation @sinanuzan for helping to realize this project !
ARSHAM STUDIO 3019
We made a Quartz Crystal Eroded @dior saddle bag. Yes it’s functional! 😯 @mrkimjones @matthewmwilliams
ARSHAM STUDIO 3019
Hand sculpted Large Knot on view at my exhibition in Shanghai. @how_art_museum
ARSHAM STUDIO 3019
The Legendary @stephenjonesmillinery created eroded caps with individually attached crystals for my @dior collaboration with @mrkimjones. The crystals inset into the caps are the same kind that are used in my sculptural work.
ARSHAM STUDIO 3019
A series of broken shapes in the walls begin as an abstract hole and finish in the shape of a figure. Part of my exhibition Perpetual Present at @how_art_museum in Shanghai. 🇨🇳
ARSHAM STUDIO 3019
A telephone found in the archives from Mr. Christian Dior’s office was recreated in Blue Calcite Crystal. The phone was placed at the entrance of the Dior SS3020 show in a recreation of Mr. Dior’s office. @mrkimjones @dior
ARSHAM STUDIO 3019
Much of my current work is in three dimensional space, however I studied Painting at @thecooperunion. Most of my earliest works used painting to depict imagined scenarios in which nature and architecture collide in a timeless image. There is a sense in the works that things are in a state of movement between construction and destruction. This same entropic ethos can still be found in much of my sculpture where time and materials play between the past, present, and future.
ARSHAM STUDIO 3019
@nas July 19th ⛏
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    Material shift in these works is like alchemy. A graduation of material from pure Volcanic Ash on the bottom to Quartz Crystal on the top. The material of this work can tell us as much about it as the visual quality of the form it has taken.
  • ARSHAM STUDIO 3019

    Good morning
  • ARSHAM STUDIO 3019

    @how_art_museum views through October 3019
  • ARSHAM STUDIO 3019

    This one also took a couple years to get done. 1009 years to be exact. Eroded DELOREAN 3018
  • ARSHAM STUDIO 3019

    Sketch vs. Reality. About 10 years between them.
  • ARSHAM STUDIO 3019

    Movies have served as a huge inspiration in my work. I was particularly drawn to objects that became almost as important as the characters in the films. This is a Kuwahara BMX bike cast in Eroded Bronze with a traditional Patina. The bike was used as a seminal prop in the 1982 American Science Fiction film E.T. produced and directed by Steven Spielberg. To create this work I located one of 300 original bikes produced after the film as collectibles. The bike was disassembled and the individual components were cast and reassembled. My bronze works have often incorporated patinas that date to the earliest uses of Metal in sculpture, and seek to further complicate and collapse the relationship of my sculptures with linear time.
  • ARSHAM STUDIO 3019

    CD 🥶
  • ARSHAM STUDIO 3019

    My fourth grade report card and a drawing I made during Handwriting lessons.
  • ARSHAM STUDIO 3019

    I didn’t tell any of these people to do this. The walls did.
  • ARSHAM STUDIO 3019

    I’m colorblind. How’s it look to you?
  • ARSHAM STUDIO 3019

    L’HORLOGE DIOR 3019
  • ARSHAM STUDIO 3019

    🗣
  • ARSHAM STUDIO 3019

    I had this phone in the 80’s. Now its reformed into Pink Selenite and Quartz.
  • ARSHAM STUDIO 3019

    Crystal Magazine for my next exhibition SELF STRUCTURE in Istanbul with @mosaicartfoundation
  • ARSHAM STUDIO 3019

    Making some art at the Bodyshop.
  • ARSHAM STUDIO 3019

    Vacation over. Headed back to NYC. My next exhibition opens in 1 month in ISTANBUL 🇹🇷
  • ARSHAM STUDIO 3019

    Couple things in process...
  • ARSHAM STUDIO 3019

    🇬🇷 The Venus de Milo was discovered by accident less than a mile from here.
  • ARSHAM STUDIO 3019

    Still just the samples💧 @mrkimjones @_thibo
  • ARSHAM STUDIO 3019

    Who’s been to the 🔮 cavern?
  • ARSHAM STUDIO 3019

    @dior Silk Scarves
  • ARSHAM STUDIO 3019

    Between 3007-3010 I made a series of paintings of Altered Sculpture from Antiquity. The concept of a collapse in time is still present in a new series of Alterations of historical sculpture I’m working on now. This work is made of Quartz and Selenite crystal, the second image is a gouache on mylar painting.
  • ARSHAM STUDIO 3019

    Good Morning 🇬🇷
  • ARSHAM STUDIO 3019

    This is a smaller version of the floor excavation. I added a glass surface so you can walk over the works.
  • ARSHAM STUDIO 3019

    I always look for iconic objects to cast, things I feel resonate beyond their original intention. I wanted to do cars for a few years and decided the first two that I made would be from my favorite movies. This is a Crystalized 1961 Ferrari GT California from the Movie Ferris Bueller’s Day Off. The work is now in a collection that includes other cars by Artists such as Keith Haring, Richard Prince, Barbara Kruger and many others.
  • ARSHAM STUDIO 3019

    Early test of the @dior letters vs. the real ones at the show ⛏
  • ARSHAM STUDIO 3019

    The Venus of Arles was discovered in several pieces in Arles in 1651 by workmen who were digging a well. The head appeared first, at a depth of six feet, which spurred further excavations. It was given in 1681 to Louis XIV to decorate Versailles. The statue was seized from the royal collection during the Revolution and has been at the Louvre ever since its inception. The Crystalized iteration of the work was discovered in 3020 also in Paris. Further examination revealed that the work had been restored to its original condition of discovery nearly 2000 years prior. It appears that some time in the 20th century, restoration occurred on the sculpture to bring it back to its original rough surface, untouched by the changes to smooth it out during the Renaissance.
  • ARSHAM STUDIO 3019

    NO BAD ENERGY @nas
  • ARSHAM STUDIO 3019

    Walls 😂😂😂
  • ARSHAM STUDIO 3019

    This was one of the first crystal Basketball pieces I made sometime around 3008. I was struggling for a while trying to find a way to display the pieces. I tried on pedestals, on shelves, on the floor, nothing felt right. I went with a friend to see the Miami Heat and watching the players warm up the solution was so obvious. I made a custom basketball rack based on the ones you see on court before a game.
  • ARSHAM STUDIO 3019

    #freerocky Also, unless you’re Rocky or my father don’t ever call me Danny.
  • ARSHAM STUDIO 3019

    Who had one?
  • ARSHAM STUDIO 3019

    I’m colorblind but apparently Tori arranged my bookshelf in a rainbow?
  • ARSHAM STUDIO 3019

    Traveling from inside a crystal cavern into the past and then into The Future.
  • ARSHAM STUDIO 3019

    The @dior mens jewelry team told me about this idea almost a year ago. They found some 19th century pendants that unfolded like a book. Their idea was to take the Crystal Eroded Sculpture I made of Christian Dior’s book and turn it into a necklace pendant that could be taken off and worn as a bracelet. The execution by @yoon_ambush and her team, wow 👏🏼👏🏼👏🏼 @mrkimjones 💫
  • ARSHAM STUDIO 3019

    Sketch vs. Reality. About 10 years between them.
  • ARSHAM STUDIO 3019

    These paintings are part of a series I made 10 years ago that brought my work in conversation with Sculptural Antiquity. I have recently been granted access to an archive of molds of works from the @museelouvre that date back thousands of years. The results will be shown next year with @emmanuelperrotin in Paris 🗿⛏
  • ARSHAM STUDIO 3019

    @dior jumpsuits with eroded Letters💧Only 25 made for the show staff ❄️ @mrkimjones 🔌
  • ARSHAM STUDIO 3019

    I made a Limited Edition of only 20 pieces of the @nas Lost Tapes 2 Crystal Eroded Cassette. Nas and I will be donating the entire $200K proceeds from the sale to Charity. I will be giving $100K to @thecooperunion and Nas will be giving $100K to his Elementary School in Queens NY. The full album comes out This Friday! 🗯
  • ARSHAM STUDIO 3019

    A couple thousand pounds of geological materials transformed into objects you know. A visitor remarked, “It’s like time traveling and being able see your life in a history book”
  • ARSHAM STUDIO 3019

    @yoon_ambush interpretation of my work for @dior jewelry SS3020 @mrkimjones ❄️🗯💎
  • ARSHAM STUDIO 3019

    “For me this work is about a collapse of time. It also brings my Future Relic work in conversation with Art History. Although the subject matter is contemporary the texture and depth of the bronze reminds me of Rodin or Brancusi. So much of my work involves the popular culture of today however my education included all periods of Art history and I have always wanted my works to communicate with time”
  • ARSHAM STUDIO 3019

    I have unveiled a new large scale permanent public Mural in Los Angeles. 🎨 The work is located at Maya Angelou High School and was completed with the support of @brandedarts. Thank you @mosaicartfoundation @sinanuzan for helping to realize this project !
  • ARSHAM STUDIO 3019

    We made a Quartz Crystal Eroded @dior saddle bag. Yes it’s functional! 😯 @mrkimjones @matthewmwilliams
  • ARSHAM STUDIO 3019

    Hand sculpted Large Knot on view at my exhibition in Shanghai. @how_art_museum
  • ARSHAM STUDIO 3019

    The Legendary @stephenjonesmillinery created eroded caps with individually attached crystals for my @dior collaboration with @mrkimjones. The crystals inset into the caps are the same kind that are used in my sculptural work.
  • ARSHAM STUDIO 3019

    A series of broken shapes in the walls begin as an abstract hole and finish in the shape of a figure. Part of my exhibition Perpetual Present at @how_art_museum in Shanghai. 🇨🇳
  • ARSHAM STUDIO 3019

    A telephone found in the archives from Mr. Christian Dior’s office was recreated in Blue Calcite Crystal. The phone was placed at the entrance of the Dior SS3020 show in a recreation of Mr. Dior’s office. @mrkimjones @dior
  • ARSHAM STUDIO 3019

    Much of my current work is in three dimensional space, however I studied Painting at @thecooperunion. Most of my earliest works used painting to depict imagined scenarios in which nature and architecture collide in a timeless image. There is a sense in the works that things are in a state of movement between construction and destruction. This same entropic ethos can still be found in much of my sculpture where time and materials play between the past, present, and future.
  • ARSHAM STUDIO 3019

    @nas July 19th ⛏
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